最具收藏价值的普洱茶,最具收藏价值的艺术家

　　

　　紫砂壶是中国一种独特的手工制作的粘土工艺品。它的生产始于明朝郑德时期。它的原料是紫泥，产地是江苏宜兴丁蜀镇。从明武宗郑德开始，紫砂被制成壶，涌现出许多著名的艺术家。500年来，精品代代相传。据说紫砂壶的创始人是中国明朝的春供。从明代郑德嘉靖年间的树胆壶、六瓣圆囊壶到纪寒生的创意设计和曹安祥的制作。同时，紫砂鸳鸯茶具——能同时泡两种茶的中华龙壶，再到佛教紫砂艺术家闫妍制作的法式奶壶，都各有匠心，在壶的鉴赏上下足了功夫。由于艺术性和实用性的结合，紫砂壶弥足珍贵，令人回味无穷。紫砂壶泡茶的好处和茶禅的文化氛围，增加了紫砂壶的优雅魅力。紫砂壶在拍卖市场上很受欢迎，是具有收藏价值的“古董”。名家的作品往往一壶难求。正所谓“天下何处有珠宝，宜兴紫砂为重”。 　　

　　

　　龙首紫砂壶 　　

　　

　　 　　

　　

　　双龙珠打是两条龙打(或抢)一个火球的表现。它的起源来自中国天文学中的行星运动图，火柱是由月亮演化而来的。自西汉以来，双龙戏珠已成为一种吉祥喜庆的装饰图案，多用于建筑彩绘和高贵奢华的器皿装饰。双龙的形状取决于装修的面积。如果是长条形，两条龙对称位于左右两侧，呈走龙姿势。如果是方形或圆形，两条龙上下对角排列，上龙下行，下龙上行。无论哪种排列，火珠都在中间，呈现出热闹的气势。 　　

　　

　　 　　

　　

　　底部是康熙年制的，是年号。底部形似古钱币，有生财的隐意，而盖有龙纹年号的紫砂壶，价格不菲，帝王味十足。 　　

　　

　　 　　

　　

　　这个茶壶的壶嘴和把手都很老实。整个茶壶3: 1，做工完美。一面是双龙戏珠，一面和龙珠略有不同。因为紫砂壶只有长了经验和天赋才能做出好壶，这种敢在紫砂壶上做人像的人是第一个。人像部分单独做，然后和壶面结合。即便如此，也没有大师敢做人像，因为茶壶就像玩泥巴。更何况紫砂是一种沙泥。经过反复的回火和压实，再用各种工具进行精细加工。但由于是雕刻在柔软的紫砂上，所以很难做到精妙的处理。只有手艺达到巅峰的皇家工匠才能拥有这件杰作。 　　

　　

　　 　　

　　

　　这个茶壶有极好的止水性能。可以看出，这个茶壶线条、曲线优美，就像一个玉茶壶。这个茶壶有一个龙头壶嘴和一个龙珠按钮。它有三朵花聚在一起的状态。其龙林大小不一，交错相连，生动自然。茶壶盖和壶身接合得很紧密。这是一部杰作。这个茶壶非常罕见。紫砂可以软化水质，让入口丝滑。是品茶的神器。紫砂。 　　

　　

　　英文翻译:紫砂壶是中国特有的手工泥塑工艺品，其制作始于明代郑德年间，制作原料为紫砂泥，产地在江苏宜兴丁蜀镇。从宗年间就开始制作紫砂壶，一大批名家辈出，500年间精品不断流传下来。据说茶壶的创始人是中国明朝的春节。从明哲人宁德嘉靖年间制作的春树胆壶、六圆囊壶，到纪汉生的创意设计、曹安祥的制作。从能同时沏两种茶的紫砂鸳鸯茶器，到佛教紫砂艺术家颜大力制作的达摩乳器，每一把壶都有自己的独到之处，壶的鉴赏都下了很大功夫。因为结合了 　　

and practicality, the zisha pot is precious and memorable. More on the benefits of the teapot tea, and tea zen blindly cultural atmosphere, which increases the elegant charm of the teapot noble not vulgar. Purple sand pot in the auction market bullish, is a collection of value of the "antique", the master's work is often hard to find, is the so-called "world jewelry, yixing purple sand is the most important".

　　

Dragon head purple sand pot

　　

Shuanglong Zhuzhu is a form of two dragons playing with (or grabbing) a fire bead. Its origin comes from the Chinese astronomical star charts, fire beads evolved from the moon. Since the Western Han Dynasty, double dragons playing beads has become a kind of auspicious and festive decorative pattern, which is mostly used in architectural painting and decoration of noble and luxurious vessels. The shape of the double dragon depends on the area of decoration. If it is long, the two dragons will be placed symmetrically on the left and right sides, in a dragon posture. If it is square or round, the two dragons are arranged diagonally up and down, the upper is the falling dragon, and the lower is the rising dragon. No matter what kind of arrangement, fire beads are in the middle, showing a lively momentum.

　　

The bottom is made in Kangxi years, for the year, the bottom looks like ancient coins, there is a hidden implication, and covered with dragon years of teapotters, expensive, full of imperial breath.

　　

This pot of spout the handle is very sincere, the whole pot of three point one line, perfect craftsmanship, side for ssangyong play bead, the other dragon is slightly different, as recommended by long time experience talent strength to make a good pot, the dare to do portrait on recommended is the first person, portrait part is separate, and pot of face again, Though portrait master no dare to do so, because he is like a play mud to play are recommended to perfection, and violet arenaceous mud is a kind of sand, after repeated temper, tight, with a variety of tools for fine processing, but because it is carved on the soft purple, it's hard to do fine processing, can only have the technology to reach the limit of the royal artisan.

　　

It cut your pot of water is wonderful, the pot can see lines curvy, is just like a okho general, outside it are recommended for the spout, dragon for the button, with three spend together on the top of the state, its squama sizes and dislocation cohesion, vivid and natural, fit the lid and the pot body, as the masterpiece, the pot is extremely rare, purple can make water softening, silky entrance, As a tea tasting artifact, the purple sand pot with Pu 'er tea is the top tea tasting enjoyment. This pot has exquisite craftsmanship and ages, and has extremely high economic value and collection value.